WOKEISM: THE BLOB OF BEELZEBUB and the “WOKE CHURCH” ARE DYING AND EVEN HOLLYWOOD IS HELPING TO KILL IT.
Daniel Whyte III, President of Gospel Light Society International, says WOKEISM is Deceptionism, Demonism, and Deathism Which Leads to Nihilism Which Causes People to Not Care About Anything Even Their Own Lives. There Are Demon-Filled Woke People in This Country Who Want to Rip the Heart Out of Parents and Grandparents. They do This by Brainwashing Their Children, Even in the Public School System, Causing Them to Try to Change Their Gender Without Parental Knowledge or Consent or Killing Your Children or Grandchildren For Evil Sake so They Can Have Their Way. Some Will Tell You There Are Other Reasons, and That May Be the Case. However, the Demonic Spirit of Wokeism is Moving Across This Country, Causing Young People and Some Older People to go Through the Tragic Wokeism Process And That is: (1) Brainwashed by Woke Masters, and These Woke Masters May be Your Pastor and Pastor’s Wife or Other Adults in Leadership in the Church; They May be in Your Child’s School; They May be on the Job; Or, They May be in Your Family; (2) Overwhelming Sadness; (3) Overwhelming Depression; (4) Overwhelming Loneliness; (5) Overwhelming Feeling of Being Deceived Through the Brainwashing of Woke Masters Because Wokeism is Deceptionism, Demonism, and Deathism Which Leads to (6) Nihilism Which Causes People to Not Care About Anything Even Their Own Lives to the Point Where the Woke Mass Shooter Does Not Care About Their Own Life and Does Not Care About the People They kill, and Some Are Committing Suicide. Sadly, This Ongoing Tragedy Will Continue and Increase if God’s People do Not Fast and Pray Without Ceasing and Humble Themselves, Seek God’s Face, Turn From Their Wicked Ways, and Get Back to Their First Love — the Lord Jesus Christ.
A new MGM film forcing white liberals to confront their own hypocrisy in Hollywood and beyond is receiving critical acclaim from the same people it skewers.
Cord Jefferson’s ‘American Fiction’ is a commentary on the way the establishment tends to favor reductive portraits of blackness in the name of diversity and inclusion, often at the expense of quality.
The movie tells the story of a black professor, Thelonious ‘Monk’ Ellison played by Jeffrey Wright, who is fed up with his snowflake students and struggling to get any critical interest in his work, so jokingly pens a novel littered with racial stereotypes only for it to become an overnight success.
The biting satire pokes fun at powerful white liberals in the publishing world and later Hollywood who lap up the outlandish parody, entitled ‘My Pafology’ and later renamed to just ‘F***’.
And now in an ironic twist, the film has been earning stellar reviews from left-leaning publications keen to make it known they are in on the joke.
The Washington Post states the movie is, ‘Racial parody rooted in wincingly familiar honesty.’
Salon declares that American Fiction ‘reframes what black success means for writers.’
While Rolling Stone brands the flick ‘an absolute triumph’ for the way it ‘deconstructs how white guilt stifles black creatives.’
In the movie, Jeffrey Wright’s middle-class Monk only finds commercial success when he ignores his privilege and writes a ‘hood’ novel under the pseudonym of on-the-lam con Stagg R. Leigh.
Prior to his six-figure book deal, an exasperated Monk is seen arguing with publishers who believe his Classics-based work should be categorized under African American literature due to their fixation on race.
He is advised to write something ‘blacker’ and ultimately inspired to do so after witnessing the success of fellow author Sintara Golden (Issa Rae), an Oberlin-educated writer who is praised for her ‘urgent’ and ‘raw’ poverty-porn novel, ‘We’s Lives in Da Ghetto’.
But by combining this plot point with an exploration into Monk’s personal and family life including his struggle to connect with siblings played by Tracee Ellis Ross and Sterling K Brown, the film seeks to highlight how absurd the fixation solely on race has become.
‘The important question that needs to be asked, the question I’m asking now, is: Why is this stuff being made to the omission of everything else?’ Jefferson told Rolling Stone.
‘Why is it always the tragedy and the misery? Abuse and violence, cross burnings and lynchings, shootings and murder and death and drugs — why has black life become reduced to just onscreen? To me, it suggests an inability to see black people as complex and nuanced and full of interiority in the same way as everybody else.’
Hollywood itself does not escape unscathed in American Fiction.
Source: Daily Mail Online
To read more, click here: https://www.dailymail.co.uk/news/article-12904351/American-Fiction-plot-black-novel-woke-reviews.html
